Amitabh Bachchan had slammed Danny Boyle’s Golden Globe award winning underdog-drama Slumdog Millionaire for showing India in poor light.“If Slumdog Millionaire projects India as Third World dirty underbelly developing nation and causes pain and disgust among nationalists and patriots, let it be known that a murky underbelly exists and thrives even in the most developed nations,” Amitabh had written in a posting on his blog on Wednesday from Paris, France.“It’s just that the Slumdog Millionaire idea authored by an Indian and conceived and cinematically put together by a westerner gets creative global recognition,” Bachchan had added. A contributor on guardian.co.uk, Film Blog, retaliated to Bachchan’s statements in the blog. The contributor wrote, “Even that old iconic Bollywood blusterer, Amitabh Bachchan, has thrown his empty-headed two rupees’ worth into the mix. Bachchan is no doubt riled, as many other Bollywood no-talents will be, about the fact that the best film to be made about India in recent times has been made by a white man, Danny Boyle. Just as Spike Lee got hissy with Quentin Tarantino after he proved he could make hipper films about black people than Lee could (Lee ostentatiously criticised Tarantino’s use of the word “nigger” while littering his own films with the same language), so many Indians will be upset about a westerner having a better understanding of their country than they do. Bachchan gave one of the worst English-language performances in cinematic history with his embarrassingly stupid portrayal of an ageing thespian in The Last Lear. Having failed miserably at cultivating a western audience, it must hurt him to be so monumentally upstaged by white folk on his home turf.The bitter truth is Slumdog Millionaire could only have been made by westerners. The talent exists in India for such movies: much of it, like the brilliant actor Irrfan Khan, contributed to this film. But Bollywood producers, fixated with making flimsy films about the lives of the middle class, will never throw their weight behind such projects.
Amitabh BachchanLike Bachchan, they are too blind to what India really is to deal with it. Poor Indians, like those in Slumdog, do not constitute India’s “murky underbelly” as Bachchan moronically describes them. They, in fact, are the nation. Over 80% of Indians live on less than $2.50 (£1.70) a day; 40% on less than $1.25. A third of the world’s poorest people are Indian, as
are 40% of all malnourished children. In Mumbai alone, 2.6 million children live on the street or in slums, and 400,000 work in prostitution. But these people are absent from mainstream Bollywood cinema.”The contributor goes on to add, “Bachchan’s blinkered comments prove how hopelessly blind he and most of Bollywood are to the reality of India and how wholly incapable they are of making films that can address it. Instead, they produce worthless trash like Jaane Tu…, Rock On!! and Love Story 2050, full of affluent young Indians desperately, and mostly idiotically, trying to look cool and modern.
Amitabh BachchanLike Bachchan, they are too blind to what India really is to deal with it. Poor Indians, like those in Slumdog, do not constitute India’s “murky underbelly” as Bachchan moronically describes them. They, in fact, are the nation. Over 80% of Indians live on less than $2.50 (£1.70) a day; 40% on less than $1.25. A third of the world’s poorest people are Indian, as
are 40% of all malnourished children. In Mumbai alone, 2.6 million children live on the street or in slums, and 400,000 work in prostitution. But these people are absent from mainstream Bollywood cinema.”The contributor goes on to add, “Bachchan’s blinkered comments prove how hopelessly blind he and most of Bollywood are to the reality of India and how wholly incapable they are of making films that can address it. Instead, they produce worthless trash like Jaane Tu…, Rock On!! and Love Story 2050, full of affluent young Indians desperately, and mostly idiotically, trying to look cool and modern. 
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